DARC to Vinland - 2010 view

DARC will be returning to Vinland!

Ragnarr Ragnarson will once again be gathering his band of friends and heading of into the West. (You think by now we would have learned not to trust his navigation skills!)

Members of DARC will be expanding the regular Encampment program at L'Anse aux Meadows NHSC from July 15 through 23, 2017. The highlight will be July 16 - with a full re-creation of the first iron smelt in North America (originally undertaken by Leif Eirikson's crew some time about 1000 AD).

To give you a hint at what you might see in this special presentation for Parks Canada and Canada 150 - here are some images from past voyages:

2010

All images by Paul Halasz - © 2010

Presentation - Upper Canada Village Medieval Festival

Upper Canada Village

Morrisburg Ontario

MEDIEVAL FESTIVAL

SATURDAY & SUNDAY, JUNE 8 & 9, 2013
Open to Public – 9:30 a.m. to 5:00 p.m.
MONDAY, JUNE 10, 2013
Education Day / Open to Public – 9:30 a.m. to 3:30 p.m.

A colourful cast of medieval re-enactors, musicians, buskers, artisans, falconers, archers, merchants and jousting Knights in shining armour on horseback will converge on grounds adjacent to Upper Canada Village from Saturday through Monday, June 8, to 10 2013.  This festive encampment of tents, mini-stages, natural arenas and livestock quarters will also feature trebuchet and catapult demonstrations, children’s activities and a medieval marketplace. Check out our exciting line-up of       Medieval-style Weekend Entertainment.

Teachers … check out our action-packed Medieval Education Program on Monday, June 10.

ADMISSION TO THE MEDIEVAL FESTIVAL INCLUDES ADMISSION TO UPPER CANADA VILLAGE!

FESTIVAL LOCATION:

Admission to the festival is through the main Upper Canada Village entrance gate. The grounds of the Medieval Festival are outside of the Village proper, and are accessed through a castle facade entrance located at the eastern border of the site. Visitors will also have full access to the Village’s uninterrupted, authentic 19th century program during the festival dates as part of their admission for the day

UCV Medieval Festival web site

 

the Dark Ages Re-creation Company will be mounting a living history presentation inside this larger Medieval themed special event. As usual, we will be representing daily life during the Viking Age : 

*How* Big? Scale & Objects

A recently recovered artifact is all the buzz in the Norse re-enactor's community.
It is a three dimensional depiction of a woman, cast in silver. The bottom of the figure has been broken off (thought to be plow damage from working the field it was discovered in).

The Harby 'Valkyre' - click to see the published image size (!)

(Metal) Detectorist Morten Skovsby found the ... figurine late last year at Hårby on Funen, (Central Denmark)

Go to the report

 Pulling a couple of the starting comments from the Norsefolk2 discussion group:

On 09/01/2013 04:24, Hilde wrote:
Hopefully, a high quality scan will be available some time in the future.

On Tue Jan 8, 2013 6:15 Charles wrote:
This is where the fun starts, now begins the search for archaeology to back up the outfit worn by the figure.
The need is there to make this more than an artistic representation.

The first rush was divided into to main topics:
1) Depiction of female with sword and shield - 'proof' of women in combat.
2) Deciphering details of the clothing.

There is a gap between the falling hair and the back of the neck. Much was being made of this : A pendant? Hung as a ritual object* ?
( Of course since the bottom of the dress line is broken, we can not tell if the piece was flat based to sit on a table, or might have once had details of the feet.)

But before we go too far - Look at another object from the Viking Age which has also been examined and argued about in minute detail:

'Odin fra Lejre '

by Tom Christensen

1,75 cm høj, 1,98 cm bred og 1,25 cm dyb,

(high / wide/ deep ?)

(images and quote from Christensen's report) 

The recent 'discussion' has centred around the sex of the figure. One camp sees a female, based on the length of the garment and seeing the dotted bands on the chest as four rows of beads. The other camp sees the figure as male, based on the band around the mouth seen as a moustache, and the iconography of the thrown of O∂in.  

Now - a reality check. Take a look at this image:

'Warrior' - click for detail

 Look at all that detail on the figure's costume (or lack thereof)!


This is actually one of those 30 mm cast tin alloy miniatures so many of us used for war game / Dungeons & Dragons playing 'back in the day' (and still may do, for I know).

But before you start to attempt to determine all those fine details - Let's try something first:

 

All objects reduced to LIFE scale in these images.

It has been my overwelming experience that no matter how much you work with artifacts, you never really understand then until you see them in life, actually before you. Reading the measurements does not really impact you. Almost everything is either way SMALLER, or way LARGER in actual truth, than what you imagine it is. 

This is absolutely critical. 

I have gotten into the habit now, for any object I have never actually seen before me, to take the source image, scan / open it into Photoshop (or the like). Then convert the image best as I can to the *actual* size given for the object. I will often put a piece of blank graph paper into my printer and print the life sized image on to that. This makes for very easy conversions of details into physical measurements. 

People have been going a bit overboard (in my opinion, not so humble), attempting to derive the finest detail from the published images of the objects. Yes, it can be a wonderful tool to take a very high resolution photograph, then look at that expanded version.

But what about the ancient artist who made the original object in the first place?

How small a thing was he really making?

What limits on detail were imposed by the medium he was working in?

Or by the tools he had available to work with?

Are you really looking at intended details of a reality? 

Or is all this combined through an artistic style? 

Let me tell you, as someone who has actually worked with lost wax casting techniques, there is very much a limit on just how much detail you can physically place on any object that is as small as these pieces are!

* "Ritual Object'

Archaeological short hand for : 'We don't know what the heck this is for'

Cross Post from Darrell's own 'Hammered Out Bits' 

Return To Vinland!

D. I. the Viking Age comes to LIFE
July 19 - 25, L'Anse aux Meadows NHSC
Newfoundland



The Dark Ages Re-creation Company has been asked by Parks Canada to mount a major presentation at L'Anse aux Meadows NHSC again this year. The 10 days of living history is to help mark the 'Presenting Norway' special event this summer.

Major physical demonstrations in the Norse Encampment area will include:

Rig on Music - Thorgeir  on the Spring Pole Lathe

Ka∂lin (or more likely Gudrin) on the Warp Weighted Loom

Ragnarr attempting to make a deal..

Kettil attempting to appear wise

 Living History - What does it look like?

DARC focuses on daily life in the Viking Age. The presentation will centre on a 'camp', with costumed interpreters surrounded by a collection of replica objects consisting of domestic goods, tools, and storage. At the rehearsal, simple overhead covers and tents will mimic the buildings which we will use at L'Anse aux Meadows. Individuals will be outfitted with the tools of their various trades and arts, all representing our real interests and skills. (We really are weavers and cooks, blacksmiths and carvers.) All of the objects seen, from clothing to tents, are based on specific artifact prototypes.
To the public, the members of DARC present themselves as actual voices from the past, with shared experiences as a group and direct personal histories. Individual members of DARC have prepared detailed characterizations based on their personal research into the Viking Age, developing considerable expertise in specialized areas. These characters are the 'common man': artisans, merchants or farmers typical of the Norse of the North Atlantic circa 1000 AD. Any conversation is likely to begin at this 'role playing' level of historic interpretation. The interpretive level used is then shifted to suit the needs of individual visitors. Some people delight in talking to a character from 1000 years ago, others are more comfortable with more of a modern commentary. These experienced interpreters are able to handle a wide range of topics and level of detail.

An interpretive team with proven experience!

Members of DARC are drawn from throughout Central Ontario, and are serious amateur living history enthusiasts, most with decades of experience. DARC has provided skilled and well equipped interpreters for special programs for all of the major events and exhibitions that marked the 'Viking Millennium' in Canada. No other group of Canadian re-enactors has as much accumulated museum experience. As a group and as individuals, members have worked both throughout Canada and the USA. Personal research has taken members to museums and archaeological sites across Iceland, the United Kingdom and Scandinavia. This will be the third major group presentation mounted at 'Vinland'. Individual members have been cornerstone to the 'Norse Encampment at L'Anse aux Meadows NHSC since its first inception in 1996.

On the Web : www.darkcompany.ca

Images by Paul Halasz , used with permission