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Tuesday, September 11, 2018

Come to CAMELOT

http://dragenlab.ca/camelot-conference/

A number of people who are involved in DARC's experimental archaeology projects will be delivering sessions at the conference (marked with bold type below)

Darrell will be undertaking a full demonstration bloomery iron smelt as part of the 'outreach' side of this coming weekend's new CAMELOT conference:
The building a 'norse short shaft' furnace on FRIDAY.
The full smelting process will be undertaken SUNDAY, with extraction of the bloom intended for roughly the end of the day's sessions (about 5 pm +).

There will be some limited opportunities for conference members to directly participate. Those hoping to become involved should come dressed in 'work clothes' (must be all natural fibre, leather boots). Other safety gear will be provided.

This marks the first time this experimental archaeology process has been demonstrated at an academic conference in Canada.


CAMELOT is the continuation of the long running 'Forward Into the Past' event.
For it's initial year, registration for the conference is FREE (via their web site).

The core of the conference is a full series of academic type paper presentations, by senior students, independent researchers, and academics. This allows for topics of interest to a wide range of people, from the general public through to the professional.

This is the published outline of sessions :


CAMELOT
Preliminary Conference Schedule
Session 1: Military
9:00 - 10:30
·       Damien Cole – The fyrd: Anglo-Saxon military organisation, recruitment, and the                                         deployment of different types of units on the ancient English battlefield

·       Daniel Hutter – The Varangian Guard
·       Ben Hennin - influences of Homeric/Roman Epic poetry on the medieval Song of Roland
Session 2: Archaeology
10:45 – 12:15
·       Andrew Moore - Archaeology and the Hill Figures of England: Ancient Giants or Early                                                                     Modern Satire?

·       Rachel Cogswell – Exploring Non-Ferrous Metalworking in Sweden, 500 – 798 CE
·       David Miles – The art of smithing: social perspectives of practitioners in the Middle Ages
Session 3: Travel
10:45 – 12:15
·       Daphne Van Delst –Medieval Badges
·       Augustine Dickinson – Ethiopian manuscripts: importance and analyzation
·       Alexander Bucholtz – King Sigurd I of Norway: Scandinavian participation in Iberian and Middle Eastern crusading
Session 4: Demonstrations
1:30 - 2:15
·       Wendy Maurice – How I grew a Tunic
·       Jean RossThe Making of a Treasure Necklace based upon the Hon Hoard
·       Colleen Moynham – Brass Rubbing
Session 5: A Medieval Miscellany
2:30 – 4:00
·       David Porecca - Picatrix: A Medieval Grimoire of Astral Magic
·       Neil Peterson - The Big Burn: Report on a pilot bead furnace
·       Andrei Tudor – Ancient Thracian deities and Greek/Roman deities: a comparative study

   HOPE TO SEE YOU THERE!




Sunday, July 1, 2018

'the Viking Warrior' - book review


the Viking Warrior - the Norse Raiders Who Terrorized Medieval Europe

Ben Hubbard
Amber Books - 2015
978-1-78274-291-3

I had picked this up at my last International Congress for Medieval Studies conference (2016). Honestly, the book seller had it for a very good price (think it was about $25 US) and I really only gave it a casual glance when I picked it up, part of a larger purchase.
With the recent publication date (yes, I had checked that), I had hopes for some current information.
But honestly - the second line of the title should have warned me.

Although richly illustrated (the back jacket states 'Includes more than 200 artworks, photographs and maps'), it is the source of those illustrations that becomes, frankly, annoying rather than reveilling. 'Artworks' dominate. Those illustrations are primarily Victorian era, with all the fantasy elements and distortions you would expect. Yes, there is often mention in the captions included of the major errors pictured. My guess is that these images have been selected not for clarity, but simply that, because their age, the images fall outside copyright provisions.
Many of the actual photographs in the volume are images of amature Re-Encactors, or their equipment. Obviously the quality of these re-creations can vary widely. (I really don't see how an image of modern plywood shields best illustrates actual Viking Age objects?) In some cases, the images chosen don't actually represent historic object types at all. There are some artifact images (maybe 1 in 10), but those will be well familar to even the casual observer of the Norse (mainly included from widely available 'open source' collections).
A clear key here is a check to the 'picture credits' as listed. These are almost internet based image collection services. Only a handful are from actual museum sources.

Of the 224 pages, the first third (90 pages) cover 'Viking Origins' and 'Viking Society'. It would be most accurate to say the topics are at best superficial. In a number of cases I found statements either vague, misleading - or just plain incorrect.
The bulk of the book is primarily a brief summary of the major conflict and political developments involving the Scandinavians from the first documented raids in the last years of the 700's through to the 1066 invasions in England.
The book does make consistent reference to both Saga documents and historic contemporary accounts. The pattern here however starts to look a lot more like an attempt to build credibility through the quoting of historic sources - instead of depth of recent research. The bibliography lists primarily popular level works, the volumes most of us have long had in our own libraries.

In total, I would suggest that 'the Viking Warrior' was a fast turn over work, created to cash in on recent pop culture interest in Vikings (largely generated by the recent TV series on the History Channel - with all its own massive flaws!)  At best this book is a superficial treatment of the topic. It might have proved suitable for a high school level introduction, save for the dominance of extremely dated, usually inaccurate Victorian illustrations.

Overall my recommendation would be to save the money, and put the amount towards purchase of perhaps 'the Viking World' by Graham-Campbell'.


Tuesday, January 9, 2018

Podcasts - An Update

Almost a year ago I posted about podcasts relating to vikings and archaeology. Time for an update!

Sagathing https://sagathingpodcast.wordpress.com/

If you aren't already a fan... go there now, download an episode and put it on in the background while you finish reading this blog. Go on.

Sagathing is two medieval history profs out of the US (John and Andy). They are working their way through the family sagas. Episodes run 60 to 90 minutes. Usually 1-2 episodes per saga although they took a dozen to deal with Njal's Saga. Each saga is summarized and discussed, then judged on a number of criteria including 'best bloodshed' and 'best nickname'. The interaction between the two podcasters is quite enjoyable. While I'm sure they have a plan for a given episode I doubt there is a script. The conversation really makes this a very enjoyable podcast although I miss the ability to talk back to them. I look forward to each new episode.

Viking Age http://vikingagepodcast.com/

This podcast has undergone some shifts over the past year. This is one host and it very much comes across as a recorded, scripted lecture. It makes it easy to drift off while he is talking. The content is reasonable enough and I expect to learn some things as we move forward. The podcast begins with the settlement of Scandinavia back before 10000 BCE. The first half dozen episodes (a half hour each give or take) move through the various time periods up to an including the iron age. Once he got into the viking age he split off looking at vikings in different countries. This includes backstories like episode 23-27 where he covered the Carolingians. Around episode 32 he got a bit bored and changed things mixing in telling stories of characters like Harold finehair. The main thread over the last few months has been a look at the viking culture itself (law, chieftainships, etc). The Viking History itself hasn't shown up at all lately. Has has stayed with his single voice lecture style. I keep listening, and picking up tidbits, but I'd love to hear the same topics covered in more the style of sagathing.

Norse by Northwest http://www.norsenorthwest.com/

An interesting podcast. Again a single person speaking but the Scottish accent and delivery style on this fellow make it a more enjoyable listen than the Viking Age Podcast. Very infrequent releases (last one was in Sept) and only 7 episodes so far.

Sadly those represent all the Viking podcasts for which I listened to more than one episode. Does anyone have any other ones that they recommend?

Now on to Archaeology Podcasts

Archaeology Podcast Network https://www.archaeologypodcastnetwork.com/

APN is absolutely the right place to begin discussing archaeology podcasts. The Archaeology Podcast Network hosts 17 archaeology focused podcasts. I have become a regular listener to several of them. I'm not going to list all of them - just the ones I actually listen to. By all means though please drop by their main page and have a look at all of their offerings. The APN is the brainchild of Chris Webster and he is all through it. Most podcasts have their own hosts talking about topics that interest them, but Chris also hosts several podcasts.

Archaeotech https://www.archaeologypodcastnetwork.com/archaeotech

This podcast has a pair of hosts early on it was two Chris' but now it is Chris and Paul. Some episodes bring in guests others are just the two of them. Recent podcasts have included drones, VR, and 3D printing. Episodes run around an hour every other week and the conversation tends to be fun and interactive. A good way to keep up on changing technology in archaeology.

Arch365 https://www.archaeologypodcastnetwork.com/arch365/

A daily podcast now moving into its second year. Episodes average around 5 minutes and are just a very brief introduction to topics of interest. That can include specific sites (recently they covered L'Anse aux Meadows for example), but it can also be technologies (a sequence last year covered GPR, Resistivity, etc). A nice fast way to keep a little archaeological learning in your days.

Archaeological Fantasies https://www.archaeologypodcastnetwork.com/archyfantasies/

For those who enjoy a good debunking or discussion of the 'mysterious' in archaeology this is your podcast. Like many APN podcasts this is an hour every couple of weeks. Recent episodes included the Dighton Rock, Djinn, and Haunted Objects. Drifts between 2 and 3 hosts sometimes with guests. Definitely suffers from "remote podcast" problems. Serra is clearly on the console (good audio) but her co-hosts regularly step on her talking and guests can suffer from that and audio quality problems. The content is a great deal of fun though and each host is worth listening too. The sarcasm can get thick.

The Archaeology Show https://www.archaeologypodcastnetwork.com/archaeology/

This one is all over the place with regards to topics: field schools, Ice Age Art, Museums, you name it. Again two hosts (April and Chris) usually an hour every couple of weeks. Fun to listen to - and always something to learn.

Archaeology and Ale https://www.archaeologypodcastnetwork.com/archandale/

This is definitely an odd one. This is a recording in the upstairs of a pub of lectures given near the University of Sheffield. Audio quality isn't the best as one might expect, and obviously you can't see the slides. Topics can be all over the place as you might expect. And production is irregular at best (last episode was in August). I listen in when the topics catch my eye.

Prehistories https://www.archaeologypodcastnetwork.com/prehistories/

Kim and guests usually discuss books of (prehistoric) interest. Honestly I wasn't sure about this one but I am finding it rather enjoyable. Again as one would expect it is all over the place. The most recent episode discussed Sutcliffe's fictional "Warrior Scarlet" (1958), but two episodes earlier she and some guests were spending the evening in an iron age hill fort talking about stories they enjoy and public archaeology. Call this one a monthly one-hour podcast even if the idea of "month" isn't overly regular.

Moving off the APN there is:

Audio News from Archaeologica https://www.archaeologychannel.org/audio-guide/audio-news

Running about 10 minutes and coming out weekly this one covers 4 news stories about archaeology from the previous week. A good short "news report" - usually there are a couple of things that I enjoyed hearing about in each broadcast.

Indiana Jones: Myth, Reality, and 21st Century Archaeology https://www.voiceamerica.com/episode/97394/catastrophe-and-collapse-the-mediterranean-world-in-the-late-bronze-age

Like Viking Age this is a single speaker but all of the episodes I have heard have been him interviewing different people. He isn't the best interviewer I've heard and the interactions come off very stilted. I have been cherry-picking episodes as I find ones where the topic grabs my interest. Very focused on the US archaeology industry. This one may be dead as the last episode posted is from April.

Finally I am also listening to Medieval History for fun and Profit http://www.on-soap.com/medieval-history-for-fun-and-profit/

Dr. Alice R. and Dr. Alice T. of King's college London take turns being the "host" and "guest" as they answer questions about medieval history. Sex, Pets, Magic, Who is the best Medieval Person - they have certainly done some fun questions. Episodes come out every 2-3 weeks and run about an hour. Well worth a listen.

Alright - your turn. What archaeology or Viking Era podcasts do you listen to and what do you think of them?

Thursday, October 19, 2017

Wareham Forge makes the News...

... as in 'ThorNews'
https://thornews.com/

ThorNews describes itself as 'a supplier of Norwegian Culture' - with a very heavy load of Viking Age topics represented.

Author Thor Lanesskog had chosen to use an image of a group of replica spears I had made to help illustrate today's blog post :

The Viking Age Spears – “The Ones Who Stare from a Long Distance”

on


" The majority of the spears are decorated with fish bone patterns, pattern forged along the middle of the blade " 

I sent back a bit of a clarification :

The 'forged pattern' is the result of welding layers of soft and hard iron metals together, then twisting and welding again, most typically to form the core part of a blade. There are some (unresolved) questions about why this method, called 'pattern welding' in archaeology, was undertaken originally. It can provide functional advantages, especially for long blades (so with swords). It may be as simple as building up a larger block when all the smith had were small pieces. The techniques were also clearly used for their decorative effects. Spears using pattern welding a very good example.
'Wolf's Tooth' actually refers to a specific effect caused by a specific method of working with the starting layered bars. I would refer you to the work of British blacksmith Owen Bush, who I know has investigated how to duplicate those specific patterns. 


Tuesday, October 17, 2017

DARC at Vinland - seen on ExARC!




https://exarc.net/issue-2017-4/mm/dark-ages-recreation-company-lanse-aux-meadows-nhsc-2017

Neil Peterson, with additions from DARC members Marcus, Kate and Karen, has had a very complete summary of the group's July 2107 presentation at L'Anse aux Meadows NHSC published in the journal ExARC.


Abstract:
To celebrate Canada’s 150th anniversary and the 20th anniversary of the historical interpretation program at L’Anse aux Meadows, NHSC, Parks Canada invested to extend their regular staff with a 10 day special program. Darrell Markewitz, the designer of the original program, and the Dark Ages Recreation Company (DARC) returned once again to this UNESCO World Heritage site to interact with the staff and public and mount displays of various craft activities.

The article details the public presentations and experimental archaeology projects carried out over the 11 day stay by a total of 14 DARC members.
Mounting such a major display, 3000 km from home base in Ontario, represents a major effort for DARC.

Next up for the group? 


Participating in the Royal Ontario Museum's presentation of 'Vikings' - a traveling exhibit from the Swedish History Museum

Monday, October 9, 2017

Review: Making glass beads from the past

Making glass beads from the past

EuroREA 7 (2010) Jannika GRIMBE https://exarc.net/files/exarc-eurorea_7_2010-making_glass_beads_from_the_past.pdf
This is a nice little (4 page) article on Jannika's experimental bead making. The first page covers the usual archaeological evidence and background on Viking Era beadmaking. There are a lot of assumptions being made, and statements for which I would love to see citations. For example, the metal plate from Ribe is presented conclusively as a pre-heating plate for glass fragments before adding them to a punty rod. While that is one possible idea there are other suggestions for that plate that have been made over the years. Her final bullet point in the archaeological section mentioned that "Analyses of 'non-glass' rests in the bead holes of beads from Ribe prove the use of separators". Statements like that really do require citations. On the plus side, a citation does appear on page three when the point is repeated.

The second page begins with a discussion of the furnaces. Sadly, she begins her discussion with "Since there is no knowledge about what the prehistoric furnaces looked like". This is simply false. The hearths from Ribe have published shapes and dimensions. Any effort to re-create the furnaces must begin with an understanding of that basic fact. If your furnace design is going to deviate from those bases you need to explain why you chose to do so.

The practical experiments were quite interesting as she worked heavily with punty rods. This isn't something we have done a lot of work with ourselves but is certainly a reasonable area to explore. I am happy to see someone exploring it. A method she did not try for working with a punty rod, which we have done, and is done today by Turkish beadmakers is to use a crucible to collect and melt the fragments. The rod can then be inserted into the crucible and the glass collected on it for future use. See for example https://www.youtube.com/watch?v=0G5EMXekreM. The experimental sequence involving resists ("rests" according to the article),  is very much worth the read. Some good basic options of clay and salt are tested and discussed. Overall a good experimental summary.

Saturday, August 19, 2017

the Galloway Hord...


At the National Museum of Scotland - Edenburgh :


Lower groupping of arm 'rings'

Upper grouping of ingots and worked strips

Revealed in the two cases above :
- Several of the ingots were clearly made in the same top poured mould. There was a distinctive knob feature seen, from a deeper cut to one end of the mould.
- The arm rings were all considerably thicker in cross section than I previously thought. (Exact L x W x H x weight is rarely indicated.)
- Seeing the ingots and the arm rings side by side certainly suggested that the arm rings were made by simply hammering flat the ingots. The sizes of the bracelets was very uniform, and the volume of metal from ingot into ring was very consistent.
- You also can see that all of the 'rings' are in fact flattened strips - not formed into C shapes at all.
This might easily have been done to keep the package of silver small for burial. That many of the bracelets have been deliberately turned over and squished flat on one or both does suggest that all the silver, worked or ingot, was only intended as silver weight.

Pair of fine silver hinged strap orniments - considered very unusual for VA finds

These large glass pieces were described as 'beads'
The large flattened disks were roughly 3 - 4 cm in diameter, with hole diameters approaching 1 cm.
The largest, to the lower right, was almost double even that mass of glass.
Taken together, this huge size suggests to me that these might easily have been intended as spindle whorls.

Not everything from the Hord was on display. Especially most of the more 'unusual' objects (likely still under preservation work).
For more images - go to the Galloway Hord at the NMS



We have to raise £1.98 million to save the Hoard, and in addition we need  to raise additional funds to properly conserve, research and prepare the Galloway Hoard for display, (NMS web site)
 The Hoard was uncovered by a single individual, so it would fall under Scottish 'Treasure Trove' law. It appears that although technically all  such finds revert 'ownership' to the Scottish Crown, in practice, an independant pannel determines a 'market value', which museums normally pay to the original finder.


Images :
The National Museum of Scotland allows for full photography in all its galleries.
All the images above were taken by myself on August 9, 2017
Although captured as photographs, the copyright to the text panels really rests with the NMS.

Cross Posted from 'Hammered Out Bits'